limited deluxe collectors edition 2lp,180g, gatefold with spot varnish+mp3 download+download bonus track rework! in my room proudly presents fixion, the fourth full-length offering from anders trentemoeller. with fixion, anders has crafted a logical successor to 2013s lost - a record that in many ways managed to truly capture the visceral live experience of trentemoeller as a full-band. in much the same manner that lost built on from the somber cinematic classic that was into the great wide yonder, fixion has embraced the danish artists trademark melancholy and matured it into something uniquely atmospheric and darkly romantic

the lost in time imprint has been releasing bespoke vinyl for a couple of years now. it got off to a flying start with the moment from ralph lawson & chez damier and kept up the pace with a series of releases from ralph lawson alongside production partner tuccillo including nightcrawler. the track has now been picked up and remixed by denmark’s finest house music export from oscillat and delaphine records, s.a.m and one records subb-an. s.a.m is fast becoming one of the very best producers of house and dub techno with a string of highly sought after releases on delaphine that sell out quickly and attract heat on discogs. s.a.m manages to fuse classic craftsmanship with contemporary sounds and has created an epic and atmospheric 10 minute long re-shape for ‘nightcrawler’. subb-an needs little introduction as a producer with high integrity and impeccable taste. he’s graced the decks at panorama bar, fabric, detroit movement, womb tokyo, enter, dc10, d’edge and of course the legendary below parties. while hes always been busy in the studio with releases for spectral, crosstown rebels and 2020vision. subb-an strips down nightcrawler to its very bones drawing out the classic analogue kurzweil 2000 synth sound to great effect. another chapter in the lost in time series.

finish techno pioneer and dum records boss kimmo rapatti aka mono junk and melody boy 2000 is back with another fine ep of some of his greatest tracks. all three have been released before now, but never all together on the same ep. a1 sound stealer was released in 2007 under the melody boy 200 alias and since then has been hugely sought after, often fetching high prices on discogs. it is a high impact techno track with racing drums and chattery percussion that will take any floor by storm. a2 all alone, again as melody boy 2000, has only been released on cd before now, as part of a label compilation back in 2002. this one is deep and rubbery, spaced out and elastic and is full of moodiness and melody. both b-side tracks were written as mono junk and both were written in 1992. first up, apache acid came on vinyl own music man and is a face melting, hundred miler per hour banger with manic 303s buried within. finally, ‘beyond the darkness’ was a key early techno track to come from finland and has previously been released on dum010. says the artist of the track, “an ensoniq asr-10 arrived on the market and studio engineer perttu bought it right away, but i never liked to use sounds that someone else had made. we sampled the track’s bassline, strings and others from my jx-3p separately and mixed it all together.” the result is an atmospheric track with swirling pads, icy synths and form drums that will make people march, no doubt.

vinyl only! amazing atmospheric and warm dub techno and house by plug and lay records. plr is a new uprising label you should keep an eye in the future.

following on from march s shlømo remix package featuring donato dozzy, bambounou, shlømo and label boss kennedy smith, bright sound s second release of 2016 will new a brand new ep from sweden s andreas tilliander. with his releases on his own repeatle imprint and his tm404 alias s hardware-driven techno featuring on skudge white and kontra-musik, tilliander is among sweden s most versatile talents working right now. his arrival on bright sounds is of a piece with bsrx 004, last year s reissue of fellow swede henrik johansson s 1997 ep as smyglyssna. as with johansson s record, tilliander s stettin libau ep explores slower tempo techno, locating the moments of space and energy in between its rhythmic structures. this search is most keenly observed in knapp ledsyn , with its ever-shifting sonic landscape melting away at various points to reveal its unusual, skeletal beats and hidden melodic details, while the ep title track and nybliven lots apply that approach to what might at first be a traditional dub techno template, yet still offering further small moments of off-beat character. completing the release is a detox operation remix of knapp ledsyn from nonplace records chief burnt friedman, in which the german veteran strips things down to a gentle patter of drums overlaid with suggestive flashes of the original s rich atmospheric elements.

atmospheric & monotone kickin techno trax.. back in stock - a much underrated title from the surface vaults circa 2001

for it’s 6th release modelmaker welcomes maddermodes who deliver an ep with 4 quality raw and deep techno cuts. this is the first original material from another artist on the label after a series of berkson & what releases and high profile remixers guests such as dana ruh, cesar merveille and franck roger. maddermodes a.k.a. nic ford and andy harper forged their musical relationship in the post-industrial, sound-heavy world of manchester, uk, where their shared vision for their sound is leading them deeper into atmospheric and melodious techno.

catalogue number pp018 has been work in progress for quite a while now. wind-s originally appeared in a slightly different version as part of the soundtrack to one of rohtheaters plays. the track features all the typical obalski elements we have grown so fond of in the past. dreamy pads and odd melodies create the sort of ambient that carries you away somewhere else (bravo!). we decided that it would be interesting to hear other artists take their turn on the material. the japanese duo mascaras (chida & 5ive) transformed wind-s in an atmospheric drum workout. fantastically incorporating the breezy synth elements of the original into their flow of percussion. press play lift off. the b-side gives space to nick höppners epic techno groove. ecstasy evolving progress.

nice price deal !!! meteorythm recordings is back with a new file, mf002 geometry of the mind ep by imprint’s co-founder, clearvision. to start, the a side about uncertainty (and unity)’ leaves you doubtful, in a disoriented feeling of expectation. perfect to start your set or a personal journey inward, this ambient track allows you to create your own thinking pattern about what will follow. the a2 ‘geometry of the mind,’ an atmospheric and melancholic track, conveys clearvision’s thought processes by playing with floating pads on deep bass frequencies. on the b side, ‘wave function’ is the logical continuation of the two last tracks, concentrating on rhythm in order to be more focused on the body than the mind. to conclude, the berlin based duet arcarsenal followed suit, evolving ‘wave function to another level of groove by adding a beautiful percussions harmony to a perfectly rearranged production. after developing their musical personality on imprints such as underground quality, finest hour, rue de plaisance, finale session and of course their own bass cadet records, the duo perfectly found how to combine their own style with the space atmosphere that surrounds meteorythm.

mathias kaden’s project mathimidori is back to mule musiq since our first release in 2013. this time he teamed up with japanese female singer shoco (she is actually girlfriend of our friend “dj pige”). it’s a great mixture of atmospheric tech house and cool japanese poetry reading.

nice price deal !!! the corestyle story continues... with forsaken is dead (known from his waking the tyrants device ep on corestyle last year, besides his various other productions for labels like meta4, industrial strength, six feet underground or hard kryptic) and cap (hard kryptic) we have two of the az hardcore junkies here. the a-side is represented by cap and starts with the title track this is not a war, a hard industrial uptempo pounder which is yet still atmospheric. the b-side offers 2 collaborations between cap and forsaken is dead. repeating patterns is rather techno-influenced whereas the second track, pulling strings (forsaken is dead remix) starts with a mystic intro and turns into a grooving and driving monster.

nice price deal !!! atmospheric disco flavoured 3 tracker by matteo marini!!

sigha is back with a new double a-side in the same vein as the last: a booming, atmospheric achievement, showcasing his signature attention to detail and exploring the concepts of purity, faith and religion.

nice price deal !!! 5 tracks of atmospheric madness!

nice price deal !!! third release on komplement recordings for label s owner ludwig buez. after a short break we re happy to hear him again with quality tracks both very different. day after is a more detroit techno oriented sounds with huge chords,smoky synths topped by huge toms & drums rythms for a dark and effective result.this is techno the way it should be! on the b side with mesa verde ludwig give us his vision of an atmospheric and melodic moment by adding seductive synth melody lines on top of uncluttered & tight minimal drums.

nice price deal !!! the abrasive duo from bordeaux, just a band, is back in spring with a 3rd record out in june, including the bouncy club hit to hell with gravity and a rework piece by stereoheroes! as every record has to bring something new to the table, the band is showing now to the people a new face with this contemplative atmospheric 2nd track :in amina vili. after their first two releases we are and burn it out, a whole bunch of remixes (such as acid jacks, thieves like us, alex gopher, ciacada), after touring europe and france, just a band is now reaching summits beyond any expectations. on this special occasion, the band is throwing a release party at the 4sans in bordeaux, the club that has seen the baby grow! the band hits the road in may (dublin, istambul, bordeaux, munich, bruxelle...), and plays in summer festivals (dance valley, genk on stage). support from alex gopher, gildas (kitsune), djedjotronic

nice price deal !!! slamming techy edged and atmospheric 2 tracker by slim blue

farr has a diverse catalogue, with three well-received releases on turbo as well as records with dsnt, leisure system and power vacuum. few producers can claim to have remixed tiga and been remixed by truss.
though farr has an extensive history with bloc., this will be his first outing on the label, a release that incorporates sounds that both bloc and joe are famed for.
the first track, “rpm” features prominently in the bloc festival trailer and is the soundtrack to the 2016 weekender. hissing high hats and an atmospheric baseline quickly develop into an explosive anthem designed to get feet moving. “rolling and thatching” conveys an immediate punch of 90’s acid, followed by techno heavy “workout three” with crunching beats and an unremitting delivery worthy of the berghain dance floor.

the debut ep of new-born junction records begins with thorough exploration of driving and percussive techno sounds in the form of label head cool tiger’s warehouse for all”. from atmospheric, suspensive build-ups to warped vocals and glitchy fills, this intelligent production from paris based producer is a sweet taster of things to come and stands proud and deserving as a1 on this release. next up on this release we move to groovier territory with french duo m&c’s droofin”. swinging percussion and warm, soft synths are undoubtedly the driving force behind this track. old school grooves contrasted with luscious, slow-moving pads in the breakdowns combine to create an infectious and familiar house sound. in coherence with junction’s pattern, the final track on this release from german duo dominik fry and skipio is as warm as you would expect. hypnotising vocals, hovering subby pads and gentle arpeggiators characterise this melodic easy-listener.

joy orbison and herron. three deadly rounds of tense, urgent, atmospheric, body-rocking techno — and something more like hip-hop. tersely sexual, detailed but scuffed, fierce. that’s young herron on the front, with his mum.

following up on his exceptional 12&#8243,,,, debut numb (figure 73) earlier this year, seatoc mass delivers another ep of finely tuned and highly diversified techno deep space explorations. starting on an atmospheric note, cipher’s intricate melody winchingly twists its way under your skin while airy breakbeats faintly hint at the producer’s uk roots. in contrasting fashion the bleep- driven lost lakes sticks to its metronomic stomp, making for a simple yet utterly effective tool. choral howls and detuned synths merge on transform for a gentle yet trance-inducing introduction to the flipside. emotive highlight rain then sees the manchester producer sonically recreate a thundering storm, complete with flashing strokes of lightning and a downpour of celestial scale. the breakbeat returns on closer flying buttress, albeit now at much faster tempo, exploring the common ground between futuristic grime and techno. blending all these different styles and their distinctive tropes in a coherent statement is a feat not easily accomplished. yet here seatoc mass pulls it off again, developing further the confines of both his personal and the label’s sound.

growin music is a new experimental & atmospheric label who s fourth release comes courtesy of the dlsk project.

coordinated ep presents two tracks relating to two different spots, so two different atmospheres. whereas 51°54 01.6-n 4°28-05.0-e corresponds with the maastunel in rotterdam that connects the banks of the nieuwe maas, 51°54 33.0-n 4°29-13.7-e matches the erasmusbrug (erasmus bridge), a combinedcable-stayed and bascule bridge in the center of rotterdam connecting the north and the south parts of the city. whereas the a-side presents a techno and trippy side, the b-side reveals a more atmospheric and percussive one. in summary, both tracks are quite linear, a linearity that hypnotises and sucks the listener up till bringing him in a trance that makes him feeling in another dimension.

bleed release a second ep of the year in the form of a third solo outing for label head volte-face, who also records alongside daniel avery as rote. recently featuring on semantica s latest nonnative compilation, you bury me sees volte-face further refining his hypnotic, atmospheric approach to techno. the a1, shirime , is dark and trippy, with a brooding atmosphere throughout. iori s remix on the a2 recontextualises the core elements of the original track with a broken-beat. the b1, you bury me , features a grindingly anthemic synth-line and marries it to a gothic ambience. dead cat on the dinner table rounds off the ep, an unapologetically straightforward beat underpinning some outrageous and unpredictable sounds. early support from dj nobu, svreca, daniel avery, tripeo and etapp kyle.

jeremiah r has been responsible for some of the finest electro to be released over the past few years, with his mini albums for tabernacle records being particularly potent. here he launches the distant wave label with eight more chunks of atmospheric, far-sighted futurism. as usual, he flits between ambient style interludes and more expansive dancefloor fare. in the latter category you ll find the motor city techno futurism of -bermuda triangle-, the glistening idm loveliness of -streaming to arcadia-, the larry heard-in-space deepness of -cruiser-, and the drexciyan throb of -jar (jamming avoidance response)-. all are, naturally, both luscious and pleasingly melodious, whilst retaining an intergalactic sense of atmosphere.

with the opening track providing an atmospheric techno masterpiece, dubspeeka s production ability shines through with a staccato synth melody providing a unique listening experience. staying true to the melodic techno sound that has propelled dubspeeka to the forefront of the global underground music stage, k354 and k375 showcases his ability to conjure varying sounds with chilling vocal samples and distorted percussion sounding out through each production respectively. with dubspeekas prominence within the techno world flourishing faster than any other artist within the field, unfriended makes yet another decisive point in this eclectic artists career.

trulz & robin aka trulz kvam & robin crafoord do slowburning, airy but distinct fascinating house music, warm, bright, focussed but playful, reduced, but open to surprise. signed with atmospheric grooves, a stomping kick, subtle klick and lurching bassline. spiced with plentyfull electronic or sometimes acidic elements this is like straight out of a future club that we like to visit over and over and never seem to get over until breakfast time arrives. written by full pupps hh, on the first sunny day in may, 2016

thule records brings a brand-new material from the icelandic techno legend, exos. the a-sides, downgarden and citric are both hypnotic, yet unrelentless, techno grooves with dub influences - sure to be a essential in the record bags of all true techno djs. the b-side starts with hin heilaga threnning, unforgiving track yet full of grace. finally we have ormus, a dark yet atmospheric journey - tastefully tying together the ep and therefore igniting exciting new era for thule.

from milan, italy we happily welcome onboard to eartoground, wrong assessment.
mainly known for his work on the prolific m_rec ltd, our attention to marco’s techno came from tracks released on cleric’s label c l e r g y, very soon after a line of communication was opened and demo tracks were created.
the end result is what you have before you. a six track ep consisting of x4 originals, x1 centralised locked groove and x1 atmospheric. functional, emotive, very playable, dj friendly, dance floor techno.
alien landscapes visually back time transfixed by way of bespoke, full cover artwork.

golden parachutes is a unique, collaborative musical effort comprised of stewart walker (us/berlin) and touane (italy/berlin). following five years of collaborative live-performances and techno releases through stewart’s persona records imprint, here the duo has decided to co-mingle their influences from afrobeat and progressive jazz into a boundary-free exploration. liberated from the constraints of repetitive, pounding kick drums, they unveil a new sound of timbral fluidity built-up from live and sequenced instruments. more than just music, their innovative approach delivers 43 minutes of consummate aural landscapes that pull the listener in head first. as the title ‘into the dark grey morning’ suggests the album takes you on a sweet atmospheric journey where melodic washes of colour and light flicker illumination into the dark clouds of monochromatic noise and reverb compositions, evoking fresh beginnings in electronic music... like a light at the end of the tunnel. as level records third long-play release, ‘into the dark grey morning’ is an unexpected turn away from the labels normal tendencies. with it’s live-instrumental melodies layered over sweeping electronic backdrops the album dips deeply into progressive rock waters and surfaces with a contemporary krautrock sound, logically delivered by a label from düsseldorf, the birthplace of krautrock music.

time has come: asymptote duo, owner of the label, makes its debut with its first ever release. sav004, behind the scene ep, is the result of a driving combination between old and new school elements, aimed at the big floor. a side, is darker and deeper, made by two acid and atmospheric techno cuts: behind the scene and chain reaction . on the b side, the traveller is a minimalistic techno trip, with millsian reminiscences. plastic city instead, with its essential sonorities, draws inspiration by the old detroit school, trying to evolve it and go well beyond. past and future create the present

debut release on nixie music co. from chicago houser leaf project. 3 cuts of punchy, vibey deep house. the ep flows through sweaty sax/clap/hat work and funky atmospheric tech before murdering the mallets like an evil robot roy ayers. a1. “satyr” b1. “friday” b2. “sunday” 100178,-second ep on mathematics from jamal moss aka hieroglyphic being and deviere “ghetto sketches ep” is an experimental fusion of jazz/deep house/black noise art rebellion that will invoke mental incantations of fever.

saft welcomes nortasun to it s expanding roster of artists. with not too much info being available about the artist, the music should do the talking. nortasun comes up with a sample drenched ep that consists out of swell basslines, mind expanding chords and outlandish percussion works. untitled 1 opens up with a carefully placed disco sample that hovers over the rhythms very nicely. the percussion section and the ascending chords serve the overal ambiance while nortasun plays with the extended loop pattern that maintains of interest. untitled 2 serves as a very deep but functional voyage into tribal territory. a vary of percussion sets in and smartly exchanges tones with fx cuts. on the b side fudge fingas debuts on saft with an atmospheric beast of a remix for untitled 1 that constantly grows and cleverly uses vocal cuts that change up the original atmosphere and makes the overall a very broad work of house music. the stevie wonder like clava hit + piano solo s that come in when the remix progresses are all in courtesy of the edinburghian producer himself.

known for his more elegant and subtle atmospheric techno music though, conforce is never afraid of deviating from his safe zone. sometimes a change of environment can bring new musical influences and shine new light on existing musical projects. there is a small narrative about this release. what happens when you place an island boy in an multicultural harbour metropolitan city? stuff might get a little bit more rough edged from time to time. a transition from the serene tranquility of the islandic coasts to the impatient impulsiveness rush of the metropolitan city. narrative collapse ep contains music created though more impulsive machine jamming. be ready to get a fix of rotterdams real danger. play loud!

the master of swedish techno-funk, mattias fridell is here to open up the 7th installment of gynoid reprise with his trademark jackin grooves on the appropriate stimuli . sharing the a-side with him is advanced human with an acidic techno-trance-ambient journey into the labyrinth , a track inspired by the famous festival taking place once a year in the beautiful nature of japan. on the flip-side our berlin girl mary velo provides a raw, atmospheric techno trip into her mind games and to finish off in style melbourne maestro craig mcwhinney remixes i ll never be king , giving it a more current sound and teases out the dub influences.

for the fifth edition of the popular -parquet most wanted- ep we have another 4 masterly melodic & atmospheric productions, dancefloor-proved and worldwide supported by international tastemakers! this time on board only heavyweights of the current melodic house & techno scene: d-nox & beckers, oliver schories, solee and boss axis! 100% must-have!

the 2nd release on allessandro stefanio’s substrato, true to the label’s concept, is another musical exploration of both atmospheric heights and geological solidity, with all the emotional resonance and physical impact that such an exploration implies. this new ep from buck, like the substrato debut fluid identity by limo, is a skillful sonic meditation on the natural living environments that we often take for granted: its mix of intense tectonic beats and ambient winds takes us from the archaic mystery of the underground to the rapture of the open skies above.

after inaugurating the ‘opera’ sub-series of his outis music label with the sublime omonimo double lp this april, dino sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. the aforementioned album, which wove together sabatini’s atmospheric conjuring skill with the piano flourishes of antonello salis, already exhibits the labels commitment to dismantling the either-or logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). the follow-up ep, concentrica, draws on the material from omonimo and delivers it into the hands of additional remixers in order to continue the outis opera voyage.

catz n dogz ready the next 12inch on their vinyl only pets raw and refined offshoot step. this comes in the follow up to records from a1 bassline, eduardo de la calle, andre kronert and the label owners themselves and marks the return das komplex who offers up his all for love lp. hailing from koszalin in poland, das komplex is undoubtedly an artist of many talents, a full time architect by trade, he has released material on father and son records and tapes label and also offered up the extolled and coveted 6th pressing on the step imprint back in august 2015 a record that sold out rapidly after hitting the shelves. now, his return marks the first foray into long-play format for step and allows das komplex to stretch his legs across 8 masterful disco grooves. diem kicks things off to a sunny start with sizzling guitar licks and softly pattering bongos before the slick italo-tinged obelisk and the richly atmospheric redukcja dysonansu poznawczego follow up. the project spreads out towards the jubilant and dreamy all for love which leads into brukiew, an introverted but ultimately feel-good conclusion that wraps up a beautifully balmy collection and another coup for step.

after putting the band on the map with their first ep two years ago, the band feathered sun has grown into a life of its own. the more live sets they have played, the better they have defined their style. they are spearheading a brand of sound healing music abstractly narrative, always poetic, sometimes flirting with darkness but always perfectly produced to carry the audience into their own world. feathered sun are the collaborative experiment of nu, jo.ke, raz ohara, chris schwarzwaelder, iannis ritter and acid pauli johannes laumer. each have active and flourishing solo artist careers, albeit still have time to collaborate with one another. the six-strong collective are a close-knit troupe who are primarily based in berlin and lima, peru. live improvisation is ultimately what brought the feathered sun project to life - they are open about their laidback, impromptu approach and this is apparent throughout this ep. side a was primarily crafted in peru by chris schwarzwaelder and jo.ke with raz ohara’s mesmerising vocals. the end material was then sent to nu in berlin who crafted two tracks out of it. the ‘bulbo’ ep shows a willingness to explore different approaches within the collective and the music showcases their long-standing affiliation. it is a downtempo ep that has immaculate instrumentation, dreamy pads and brooding vocals throughout. this is intertwined with organic sounds and moody atmospheric melodies, gives the release a timeless and emotive ambience.

island of the gods is back, with the first in the series of the island explorer lps. london based artist black merlin delivers with the atmospheric hipnotik tradisi lp, limited edition. 180g vinyl.

jimpster s much loved eel pie island track first graced the coveted 10 years of systematic compilation from last year. now, after widespread love, label boss marc romboy has commissioned a set of remixes to give the track an extra lease of life for the coming summer months. the originals, locomotive esque, slow-mo jam is taken on first by keinemusik main-man and cocoon favourite adam port. the german brings techno and minimal sensibilities to the fore but with extra tempo and swing. a mid tempo beat drives the track as atmospheric flourishes and nuanced samples create a lighter and breezier feel. an added vocal adds a hazy dose of ethereal pleasure, as adam creates another slice of musical magic. fresh from his objektivity release, hyenah offers a version of eel pie island that brings a chiming, plonking vibe, wood block percussion and bongos, all fluctuating in a sea of tribal beats, deep house and delicious sub bass. another triumph for systematic.

the second output of french producer sébastien bardy -floating birds- on numoment recordings. -floating birds- is a classic deep house track with a great arno e. mathieu remix. supported by : dvs1 (klockworks), karim sahraoui (transmat records), spencer parker (rekids), jane fitz, dj yellow, sébastien bromberger (modelisme), dj steef (retrofit)... « floating birds » long atmospheric intro with birds singing, deep and uplifting deep house cuts with classical tr 707, subtle acid bassline and a melodic pad that stays in your head. « floating birds (arno e. mathieu rn7 remix) » true to the arno e. mathieu’s productions, his remix is coming with a funk bass-line and additional cosmic melodies, bringing a soulful energy with organic textures, but keeping the electronic vibe from the main version.

4 tracks of spaced-out, moody, atmospheric, detroit-techno-style tracks. * verged*, originally released on aesthetic audio (detroit) gets a remix by tangs alter ego, obsolete music technology after being dropped in omts live set in the past year.

180gr w<ax, ltd 300 copies , no repress,
2016 is suppose to see 2 more release from bordel ensemble, with new talent and world to discover
london based imprint bordel ensemble (limited series only) is back after one year with yet another ep by lodee gruv, alias of one of the label’s founder. the second release is stamped 003 as the bordel002 will be a compilation of music by all the artists of the label coming out later in 2016. two side / three tracks ep. on side a, lodee gruv confirms once again his style with an atmospheric raw and floor friendly 8 minutes rhythm . on side b he takes it up a notch with 95% analog generated drums and baseline groove toped by a progression of 3 notes sample melody leading to an slightly emotional pattern. the second track of side b is a lodee gruv signature, deeper and tripier somehow with samples twicked into different elements backed up by a gimmick changing low end drums. definitely a journey into lodee gruv’s mind and bordel ensemble spirit.

ebony goes first with real truth and offers a track that is both punchy and powerful thanks to its raw and thumping drums, but spiritual and serve thanks to the pained and soul infused vocal wails up top. glistening glass pads and over sized hi hats add to the intensity of this classy rave banger. r then serves up focus, eight minutes of freaky and hypnotic techno with creepy voices moving about the space as distorted kicks and droning reverb brings a physical feel. it s intense and dark and then comes colossus, a breakbeat driven track with heavenly pads making for a grand and atmospheric headspace. cosmic signifiers and far off pads add to the serenity of it all and will leave you with both a heavy heart and a stomping foot.

we proudly present to you the second blissful vinyl only release on capodopere records headed by mihai pol. side a will throw you inside a finger-snapping track with a satisfying beat that will be shadowing the composition for all the ten minutes of your experience. going to the b side - dreamy keys and ambient sounds are the ones that guide this piece of art, leaving a hypnotic state - followed by an atmospheric and dubby finale. taste it yourself.

for the second bad barbie records vinyl release of 2016 we are more than exited to bring you the magnificent work from the bla bla music owner daniel sanchez with his impromptu ep. here we have four amazing pieces where each one tells a different history. the first one pearled into droplets saw the light after a great live jam and the result is combination of several layers of base elements with subtle minimalistic articulations. these, in combination of the bass and synths lines do create a truly amazing micro house piece. the second one vague, is an atmospheric dub were a single synth chord raises in slowly, followed by a very subtle kick and bass line to set a bit of rhythm to the whole thing, creating a superb dreamy vibe while the chords do their thing with delicate reverbs and delays in the backend. a great musical piece indeed. for the third track we have yi, again another amazing micro house jewel born from a live jam, but this one is even more energetic than the first one and it also includes, besides a rocking bass line, analog synth chords that lifts up the mood during specific moments, which also do their part articulating themselves perfectly with some occasional twisted vocals that helps create an amazing party vibe from beginning to end. and if this wasn t enough we also have bedroom stories vocal tool that daniel included with his delivery, which can help spice up a dj set with ease.

here we bring you an amazing ep of atmospheric delight stunning bass sounds with an amazing remix from zefzeed. both of these artists are very talented producers and very professional and it gives us great pleassure to have them on board with us at trapped ldn. born in republic of moldova, suolo is one of these young producers of minimalist music that sets no boundary in terms of style and musical horizons. after a few trips during the year 2012, he learned to assert his artistic difference both melodic and underground. he signed on labels such as um passo, sleep is commercial, leone music, in records and many others who have helped him to become known to a wider audience.